29 Aug Carrier Pigeon: Giving Wings to Creativity
In 2009, a group of New York City-based artists, illustrators, writers and designers collaborated on an ambitious project: a commercially distributed magazine in which the artists would have complete creative control. A Kickstarter campaign the following year successfully raised printing costs to cover the first issue. The result is Carrier Pigeon, an approximately 100-page quarterly magazine featuring original artwork and text by both up-and-coming and well-known contributors such as Marshall Arisman. Each issue functions as a work of art, with the layout uniquely designed by that issue’s art director.
The perusing – or interacting with – Carrie Pigeon goes far beyond the reading experience. Each issue incorporates tactile or dimensional features. For example, Volume 2, Issue 3, includes a magnetic pop-up paper sculpture by cover artist and painter Adam Lister; the issue covers images of sculptures which combine magnets with abstract paintings. The stories (fantasy, dark comedies, scifi, and other genres of fiction) are beautifully designed and illustrated with work in a variety of media, such graphite drawings, etchings, photographs, woodcuts, and paintings. Each issue also features six portfolios of international artists.
Now into its third year of production, Carrier Pigeon recently published their 10th edition, (the first issue of volume 3, CPX) and will be releasing it at the Governors Island Art Fair September 1st. The publication is a labor of love; the limited run of 1,000 copies is put together by volunteers and contributors, often in the workshop of printmaker and frequent contributor Justin Santz. The publishers hope to eventually have the magazine completely funded by subscribers, sales, and carefully selected advertising. Their vision is to keep the magazine as a creator-controlled, collaborative publication, one which “provides artists with a venue for telling stories in an undisturbed environment by fostering… unconditional artistic freedom in both direct subject matter and the interpretation of text.”
Below: (left) The front cover of the 9th issue, featuring three-color letterpress artwork by Richard Kegler. (right) The portfolio feature for artist Jennifer Ale from the 9th issue. All artwork © the artists.