Posted by Rebecca Blake on March 13, 2017
Perhaps because of the increased coverage of women’s issues (and the political movements spearheaded by women), International Women’s Day was marked by a number of blogs and websites with comprehensive reviews of work by women visual artists: designers, illustrators, cartoonists, and others. Three in particular stood out: the UK media platform It’s Nice That, the publication Creative Review (also out of the UK), and the Cartoonist Alliance.
Posted by Rebecca Blake on March 06, 2017
On March 1st, the Copyright Office launched its new website – a huge improvement over the previous iteration. Visitors to the site are clearly directed to Office activities and resources, and a long overdue overhaul of the website’s navigation has almost eliminated the need for the “back” button. More importantly, the website is now responsive, permitting users on mobile devices to easily move about and use the website.
Posted by Rebecca Blake on February 28, 2017
A new compendium of logos has been published online: Logobook. The site features a directory of logos going back to the 1950s, categorized by type: letters and numbers, animals, shapes, objects, business, nature, and heraldy, shields, and flags. In a field of robust logo resources, what makes Logobook stand out is its simplicity. Each logo is presented only in solid black and white, permitting viewers to focus on the design and to easily compare logos.
Posted by Rebecca Blake on February 16, 2017
In light of the Copyright Office’s Notice of Inquiry (NOI) on Moral Rights, Copyrightlaws.com has done us all a favor in posting their article, “Moral Rights in US Copyright Law.” The NOI is revisiting creators’ rights, which, in the United States, are little understood. In this context, “moral rights” has little to do with religion, but refers to non-economic rights that are personal to an author. The Copyrightlaws.com article provides an easy-to-understand explanation and background information on the topic.
Posted by Rebecca Blake on February 06, 2017
During the Poynter Design Challenge, five designers addressed the leading challenge facing news organizations and their consumers: the prevalence and seeming authority of fake news. Each design brought a unique perspective and solution, from a reader-controlled interface, to an app with customizable news and ad streams, to integrated video and virtual reality experiences. Jeffrey Zeldman, however, went after what he described as low-hanging fruit: the website typography.