Posted by Rebecca Blake on February 04, 2015
In “Molly Crapapple’s rules for creative success in the Internet Age” Crabapple offers some pithy and realistic advice for artists. Much of her advice is the kind of common sense your mother would pass on (but expressed in refreshingly frank language): don’t be a jerk, treat your fans with respect, don’t be lazy, move past rejection. But it’s when she addresses the financial aspects of working as a creator that Crabapple hits hard.
Posted by Rebecca Blake on February 02, 2015
Hoping to galvanize public demand for effective policy addressing climate change, Milton Glaser unleashed a campaign titled “It’s Not Warming, It’s Dying”. As one would expect from the designer of the iconic “I Heart NY” logo, the campaign is built around a logo: a stark graphic of a globe, it’s green field almost completely obscured by a black gradient. The campaign urged contributors to purchase buttons and t-shirts; all proceeds went to creating more buttons and t-shirts. The goal was to create a visual message to politicians, showing a groundswell of public concern on climate change.
Posted by Rebecca Blake on January 29, 2015
Any web designer scouring through the Google Web fonts library knows how stultifying it can be to find the right combination of faces. After peering at the third (or tenth) waterfall of characters, serifs and weights start to blur into a typographic mess. Self-described tech-tinkerer, Femmebot (Phoebe E.), has come up with a solution to show web fonts in their natural environment: Google Web Fonts Typographic Project.
Posted by Rebecca Blake on January 26, 2015
When the San Francisco Gate reported that author Danielle Steele’s assistant embezzled $400,000 from her accounts, many comments to the article relished the author’s financial woes. The rancor of comments led cartoonist/writer Colleen Doran to muse on the conflicted relationship artists have with money. It’s a situation made toxic by low expectations, envy, and hackneyed stereotypes.
Posted by Rebecca Blake on January 22, 2015
Last fall, UK designer Joe Harrison unveiled his exploration of scalable logos. The result was Responsive Logos, a simplistic website featuring the logos of major brands such as Coca Cola, Walt Disney, and Kodak. As the viewer resizes the browser window, the logos respond, becoming both smaller, and stripping away elements. At the window’s smallest size, the smallest recognizable feature remains: Chanel’s interlocking Cs, the Guiness harp, Nike’s swoosh.