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Illustration

15th Edition of the Graphic Artists Guild Handbook: Pricing & Ethical Guidelines Published

Posted by Rebecca Blake on April 16, 2018

The cover of the Handbook: Pricing & Ethical Guidelines

The latest edition of the industry bible, informally known as “PEGs”, was released in early April. In addition to the popular pricing tables and sample contracts, the 15th edition features a greatly reworked chapter on Surface Pattern Design, and an expanded and updated chapter with professional, business, and legal resources. Throughout the book, text has been updated to reflect current trade practices and conditions.

 Illustrator and Guild member Ben Pernini was commissioned to create the colorful cover art. Book designer and Guild member Dawn Mitchell handled the art direction. 

The update of the ebook Primer Series based on the Handbook is currently in production. Look for it this summer!

Space Exploration Posters, Courtesy of the Jet Propulsion Lab

Posted by Rebecca Blake on December 28, 2017

NASA’s Jet Propulsion Lab gave us all a lovely holiday gift: a series of space exploration posters, free for downloading and printing. The series, titled Visions of the Future, channels retro poster design from the WPA-era to tout vacation destinations such as Ceres, Jupiter, and Kepler-186f (the first earth-sized planet speculated to be capable of sustaining life). The files can be downloaded as high resolution TIFFs or PDFs, at 20x30”.

The posters are the creation of “The Studio,” a team of designers, illustrators, and visual strategists at the JPL. The Studio creates visuals, such as the space exploration poster series, which communicate the excitement and vision of the JPL. However, their mission goes beyond that of a typical art department. In a video created by The Otis Report on the Creative Economy, Dan Goods, Visual Strategist at The Studio, and Charles Elachi, PhD, Director of the JPL, speak about the importance of the exchange of ideas and inspiration between The Studio and JPL engineers and scientists.

That collaboration is evident in the Visions of the Future poster series. While depicting fanciful interpretations of each planet and moon, The Studio staff solicited feedback from JPL scientists. That red foliage on Kepler-186f? That was inspired by the information that the light spectrum radiated by Kepler’s star is a different spectrum than earth’s sun.  On a background page on the poster series, creative strategist David Delgado, illustrator Joby Harris, and typographer Lois Kim describe the thought process behind each poster. Our only quibble with the series? We would have loved to have seen a rendition of Saturn – what would The Studio have done with those rings!?

Poster thumbnails, courtesy NASA/JPL-Caltech​

Jet Propulsion Lab Visions of the Future poster thumbnails  

Credits for the posters

Creative Strategy: 
Dan Goods, David Delgado

Illustrators: 
Liz Barrios De La Torre (Ceres, Europa)
Stefan Bucher (Jupiter Design)
Invisible Creature (Grand Tour, Mars, Enceladus)
Joby Harris (Kepler 16b, Earth, Kepler 186f, PSO J318.5-22, Titan)
Jessie Kawata (Venus)
Lois Kim (Typography for Venus and Europa)
Ron Miller (Jupiter Illustration)

Illustrator and Member Cindy Salans Rosenheim Joins ADAA Judging Panel

Posted by Rebecca Blake on July 14, 2017

Cindy Salans Rosenheim

Guild member Cindy Salans Rosenheim was asked to join the judging panel for the prestigious Adobe Design Achievements Awards, the international student awards co-produced with ico-D. As an illustrator working primarily in watercolor and pen-and-ink, Rosenheim brings unique traditional skills to the panel of judges. Her work encompasses illustration for fashion and food, loose journalistic on-site sketches, more tightly-rendered editorial and children’s book illustration, and even hand lettering, maps, and calligraphy. Rosenheim joined Guild member Theresa Whitehill of Colored Horse Studios, who is participating on the panel for a second year. (We covered Theresa’s experience on the panel last month.)

A native of San Francisco, Rosenheim has spent most of her career working and raising a family in the Bay Area. She attended college at Tufts University, earning a BA in Art History and French. Upon graduation, she moved to the Midwest, spending two years as a staff artist with Hallmark Cards before moving to Chicago to work in a number of illustration studios. Her side client list reflects her breadth of experience, and includes companies (McKesson, Bain & Co. Inc;), major brands (Charles Schwab, American Girls Brands, Hasbro, Warner Brothers), periodicals (New York Times, Wall Street JournalHarvard Magazine – Harvard University,  Natural Health Magazine), and publishing houses (Random House, Macmillan Publishing, Ten Speed Press), among others. You can view her work on her website.

Below: Viana’s Italian garden. © Cindy Salans Rosenheim. Used with permission.

Viana's Italian Garden by Cindy Salans Rosenheim  

ICON 10 Education Symposium Call for Abstracts on “Teaching in the Future”

Posted by Rebecca Blake on June 30, 2017

ICON 10 Call for PapersICON 10, The Illustration Conference, has put out a call for papers to be considered for their Education Symposium taking place next July in Detroit, MI. Conference organizers are interested in reviewing submissions from a broad range of sources: academics, educators, researchers, and professional practitioners such as illustrators, typographers, designers, and fine artists. Fitting with the theme “Paradigm Paradox: Teaching in the Future,” submissions should explore how illustration is taught and crafted in a rapidly evolving environment, precipitated by technological changes to both production and delivery methods.

Interested participants should submit abstracts of up to 300 words by July 15. Conference organizers have identified several broad topics that could be addressed. From their call for abstracts:

Hand Made: Embracing craftsmanship in a multitude of media; access to training, tools and media.
Space & Time:  The evolution of 3-D, Interactive and Motion-based Illustration (and how to teach it all)
Rethinking the Illustration Major: Where is the Illustration program placed within your institution? What other programs does it correlate with and what are the interdisciplinary dynamics?
The Invisible Classroom: How does digital technology affect traditional teaching? What are the flaws and assets of remote teaching?
Structure and Infrastructure: What spaces, tools and equipment are essential for effective teaching?
Being Present and Active Locally: How do students interweave their creativity with the local populations and neighborhoods where they are in school? In particular, how do they share creative thinking and processes with disadvantaged populations, especially children? Are there mentoring opportunities for the students to become teachers?
Collaboration: Projects that involve collective thinking and making; how are they managed?
Inspiration: Processes to jump-start creative brainstorming.
Narration and Writing: How do students integrate their own stories into projects?
Issues Awareness: How do students engage with topical, political and global issues?
The Art of Seeing: Teaching students to look closely, to develop a critical eye, to become articulate consumers of visual images.
Shifting Realities: Keeping up with the changing nature of illustration.
The Entrepreneurial Illustrator: Teaching students the art of business and the business of art.


For full guidelines and contact information, please visit the ICON 10 Education Symposium call for submissions.

Metro-NY Artists: Pro-Bono Legal Assistance for Copyright Disputes

Posted by Advocacy Liaison on June 27, 2017

Copyright Alliance logoThe Copyright Alliance has partnered with Cravath, Swain, and Moore LLP and  Columbia Law School to provide pro-bono trial services for individuals and small businesses involved in copyright disputes in New York City. Through the initiative, Columbia Law School students working under the supervision of lawyers from the firm provide legal counsel  and learn trial skills as related to copyright law.

Designers and illustrators operating in New York City with a copyright dispute are encouraged to apply for consideration in the program. Applicants will be considered based on criteria published on the Alliance’s website. If you’re interested in applying for the program, visit the website to download the forms. For more information, contact the Alliance”s Copyright Counsel, Terrica Carrington, at tcarrington@copyrightalliance.org. (Please note that applying for the program does not guarantee legal assistance.)

 

Copyright Alliance pro bono trial services

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Looking to keep up with industry trends and techniques?

Taking your creative career to the next level means you need to be up on a myriad of topics. And as good as your art school education may have been, chances are there are gaps in your education. The Guild’s professional monthly webinar series, Webinar Wednesdays, can help take you to the next level.

Members can join the live webinars for FREE - as part of your benefits of membership! Non-members can join the live webinars for $45. 

Visit our webinar archive page, purchase the webinar of your choice for $35 and watch it any time that works for you.

 


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