For the Font- and Dog-Obsessed
Posted by Rebecca Blake on September 22, 2014
A fun diversion was published by William Wegman, the artist whose iconic portraits of his dogs Man Ray and Fay Ray brought the Weimaraner dog breed to new heights of popularity in the 1980s. In mid September, Wegman posted on Facebook a short video of his latest crew of Weimeraners patiently modeling letterforms. Up to four dogs stretch, nose to tail, and curl their lanky bodies to create the letterforms as Wegman recites the alphabet.
Wegman has a long history of featuring his dogs in videos. One of his first productions from 1975, Dog Duet, shows Man Ray and Fay Ray oddly staring about the studio space with great intensity. Only at the very end of the short film does Wegman reveal his trick: a tennis ball, moving about off camera, to the great interest of the dogs. An earlier film clip, Spelling Lesson (1973) has Wegman correcting Man Ray’s spelling. It’s an intriguing peek into the wonderful relationship between the artist and his muse.
Chronicling the (Extra)Ordinary: Tiny PMS Match
Posted by Rebecca Blake on September 18, 2014
The Pantone Matching System has gone from being an invaluable tool for designers to a cultural meme. The Pantone company is capitalizing on the public appetite for designer-chic by producing color-swatch themed goods, from iPhone cases, to mugs, stationery, and pencil cases. The creative community has taken inspiration from the iconic swatches, producing their own variations based on superheroes, skin tones, beer, chocolate, and food – both using food to create swatches, and matching food to swatches.
One inspired take on the Pantone system is cataloged in Tiny PMS Match, a blog created by designer Inka Mathew. For the past year, Mathew has been color matching objects from her daily life to Pantone swatches. Since the objects need to fit within a Pantone swatch, they are tiny, nondescript items that ordinarily would be overlooked: seeds, buds, a Froot Loop, a worn toy fish. But as photographic subjects, framed by their swatches, they become imbued with beauty and mystery.
The blog archive also serves as a touching visual journal of everyday life. For example, her travels are chronicled in the swatches, as a French thimble, an English souvenir, and seashells make their appearance. Family life is revealed in a Barbie shoe, children’s vitamins, and a wedding ring. Even the changing seasons are reflected, as the buds of local flowers are replaced with blossoms, seed pods and autumn leaves. It’s a lovely meditation on the extraordinary beauty to be found in an ordinary life.
Images © Inka Mathew. Used with permission.
This Is the Story about “These Are the Things”
Posted by Rebecca Blake on August 14, 2014
Jen Adrion and Omar Noory of the design and illustration studio, These are the Things, are the paradigm of successful creative entrepreneurs. Young and attractive, their resumes are the stuff of designer envy: creators of cool maps featured on the tony shopping site Fab, illustrators with a steady gig with Afar magazine, purveyors of beautiful cards and posters, and subjects of a case study in a best selling book on successful start-ups. Yet at last autumn’s Weapons of Mass Creation Fest, Adrion and Noory dispelled any myth of an easy ride. In a talk memorable for its honesty, they described the daunting setbacks they’ve faced.
The lecture, titled ”How We Learned to Stop Worrying and Enjoy The Ride,” is illustrated with a graph showing Adrion and Noory’s meteoric rise, a suitable device for two infographic designers. Rather than showing a steady, straight angle towards success, the upward trend is punctuated with deep dips representing financial loss, anxiety, and thwarted plans. The two provide a frank recounting of their setbacks, from unmet expectations, to naïve mistakes and oversights in financial planning, to circumstances beyond their control.
Despite the grim topic of lessons learned, the lecture is hardly a downer. Both Adrion and Noory are brimming with energy and self deprecating humor, and many of their setbacks were the result of inexperience, hardly unsurprising for two 20-somethings starting their first company. What stands out is their ability to assess a bad situation, and do whatever is necessary to continue in the business they love. The lecture is a gift to the creative community, made all the more generous by Adrion and Noory’s openness.
A full transcript of their talk is provided on their website.
Portrait of Adrion and Noory, used with permission.
Go North: Guild Member Discount for DesignThinkers 2014
Posted by Rebecca Blake on July 16, 2014
Join the Association of Registered Graphic Designers (RGD) and over 1,500 visual communicators for the 15th annual DesignThinkers Conference, a celebration of creativity and strategic design thinking.
The event welcomes a star-studded line-up of 25 international speakers, including:
- Charles Adler, Co-founder, Kickstarter
- Irma Boom, Netherlands-based Book Designer
- Henry Hobson, Film Titles Designer, “The Walking Dead”
- Wesley Grubbs, Founder, Data Visualization Studio Pitch Interactive
- Aaron Draplin, Founder, Draplin Design Co.
- Sybille Hagmann, Type Designer
- Ellen Lupton, Author, Educator & Curator
- Karen McGrane, Author, “Content Strategy for Mobile”
- Debbie Millman, Author & Host, Design Matters
- Paula Scher, Partner, Pentagram
- Erik Spiekermann, Author & Creative Director, Edenspiekermann
- Richard Turley, Creative Director, Bloomberg Businessweek
- Jessica Walsh, Partner, Sagmeister & Walsh
- Todd Waterbury, Executive Creative Director & Sr. VP, Marketing, Target
Members of the Graphic Artists Guild get special pricing! Register on the Group/Org rate. Early Bird rates end September 26. Learn more at www.designthinkers.com.
Purge Yourself: Jealousy is Creative Poison
Posted by Rebecca Blake on February 21, 2014
The multi-talented artist, writer, and educator, Jim Zub, has written a cautionary article on the destructive power of jealousy. “Jealousy is Creative Poison” is targeted to new cartoonists and comic book creators, but the advice is relevant to anyone working in a creative field. Zub acknowledges that he is stating the obvious when he warns artists against measuring their success against that of others. While he recognizes that jealousy is unavoidable in a career in which one’s ego is wrapped in one’s creation, he exhorts creators to push past it.
Zub passes on three key pieces of advice: First, don’t let jealousy motivate creation, leading you to tear down the work of others. Second, don’t lash out when you feel as though you’re failing. And third, don’t focus on others’ success, but live in your present. Zub ends on a high note, reminding his readers that there is an extensive audience for good stories, good characters, and artists who persevere.
Zub’s website is well worth a visit to aspiring comic book authors and graphic novelists. He’s featured a series of articles covering everything from “How to Break into Comics” to “How to Find an Artist,” comic writing, creator-owned economics, communication, and comic promotion.
Jim Zub is an award winning cartoonist and writer living in Toronto, Canada. He is the writer of Samurai Jack, Makeshift Miracle, Skullkickers, and Pathfinder. His client list includes Disney, Warner Bros., Hasbro, and Mattel. When he isn’t writing comics and graphic novels, he’s the Program Coordinator for the animation program at Seneca College.
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