The Digital Hearth: Yule Log 2.0
Posted by Rebecca Blake on December 24, 2013
The Yule Log, that broadcast of an endless loop of a crackling fire that first played on WPIX-TV in New York City in the 1960s, has become a beloved holiday cliché. After having been cancelled for a number of years, the parent company of WPIX, Tribune Broadcasting brought back the broadcast, and numerous knock-offs have been spawned. The most creative is Yule Log 2.0, a collection of short films and animations submitted by both up-and-coming and well-known artists. The collection is curated by animator and illustrator Daniel Savage, a 2012 ADC Young Gun, who has created work for Comedy Central and Google. The Yule Log 2.0 website was created by Wondersauce, a New York based web design studio.
Yule Log 2.0 showcases a lovely range of illustration styles. Both Frank Chimero and Leta Sobierajski created whimsical flames from wiggling fingers. Josh Parker’s stick-figure embers are reminiscent of early cartoons, and Michael Fuchs, Daniel Leyva, and Bianca Meier illustrated a hapless marshmallow who sits too close to the fire. Visitors to the website can either view each video in sequence, or, in true Yule Log spirit, set one animation to play over (and over and over and over).
Yule Log 2.0 offerings include submissions by (clockwise from top left) Michael Fuchs, Daniel Leyva and Bianca Meier; Yussef Cole; Greg Gunn; Matthias Hoegg; Josh Parker; and Frank Chimero. Screenshot courtesy of Yule Log 2.0.
Remembering Mandela: The Mandela Poster Project
Posted by Rebecca Blake on December 23, 2013
In recognition of the passing of Nelson Mandela, we’re revisiting the Mandela Poster Project, and Icograda-endorsed initiative which took place this summer. The project was initiated by South African designers Jacques Lange and Mohammed Jogie. It sought to celebrate Mandela’s 95th birthday by soliciting poster submissions from the global design community. From the outpouring of 700 submissions from 70 countries, 95 posters were selected for exhibition. With the contributors’ permission, limited editions of some posters were printed and sold, with proceeds going to Nelson Mandela Children’s Hospital Trust. The funds will assist in the estblishment of a dedicated children’s hospital in Johannesberg – Africa’s third, and a final wish of Nelson Mandela’s.
The poster project submissions highlight Mandela’s influence and impact globally. Many of the designs reference his distinctive features and Africa, combing the shape of the continent with portraits of Mandela, and using the South African national colors. But many designs also incorporate the designer’s native cultural references, incorporating patterns, imagery, and typography unique to that individual’s culture. The overall effect reinforces the universality of Mandela’s message of empowerment, justice, and ultimately, harmony.
More about the Mandela Poster Project can be viewed at Mohammed Jogie's presentation to TEDxSoweto.
Below: Poster designed by Canadian designer Robert L. Peters. Poster © Nelson Mandela Children's Hospital Trust.
Butterick’s Practical Typography
Posted by Rebecca Blake on December 19, 2013
Lawyer and type designer Matthew Butterick has self-published a treatise on typography: Butterick’s Practical Typography. Although the book is targeted to non-designers, it is a clear, easy-to-follow overview of the basics of typography that even designers well-versed in type layout will enjoy revisiting. Butterick builds a solid basis on typography best-rules, starting with “Why Typography Matters,” and proceeding with thorough discussions of type composition, formatting, font choice, and page layout. He concludes with an appendix of valuable features such as a meaty bibliography, a list of bad typewriter habits, and keyboard shortcuts for common accented characters.
Butterick’s Practical Typography is not only a well written treatise on the fundamentals of sound type usage, but also an experiment in web-based book publishing. Butterick created Pollen, the publishing system used for the book, using the programming language Racket. The result is a simple, elegantly designed online publication which is easy to navigate and free. Butterick intends to keep the book ad-free, but requests that users support the expensive project by buying Butterick’s fonts, sending a donation, or buying his previous book, Typography for Lawyers.
Butterick comes by his expertise through a career built on design and typography. After receiving his BA from Harvard in visual and environmental studies, he worked as a type designer and engineer at the Font Bureau, and created Herald Gothic, Wessex, and Hermes. After founding the web design firm Atomic Studio (later bought by Red Hat), he went to UCLA Law School and joined the California Bar.
Crafting a Portfolio for Licensing Your Art
Posted by Rebecca Blake on November 29, 2013
J’Net Smith, owner of All Art Licensing, recently featured an article on “5 Top Portfolio Tips for Art Licensors.” In the articles, she shares her tips on the size of the portfolio, how to organize the portfolio by theme and create flow from piece to piece, and how to select work for an online portfolio. She advises artists to select work that fully represents their style while being relevant to the current market. She also recommends that the work be organized keeping in mind how manufacturers approach their collections so as to minimize frustration when wading through a portfolio.
Smith recently completed a series of new classes on Art Licensing Essentials, Collections and Presentations, Marketing and Sales Techniques, Negotiations and Contracts, and PR and Promotion Essentials. While the live classes concluded in mid-November, she's offering two classes as downloadable audios with over 70 slides, details, and a presentation. The classes, "Art Licensing Essentials — Creating Collections, Presentations and Websites" and "Developing Marketable Art Licensing Portfolios that Sell!" can be purchased from the All Art Licensing website. Smith will be offering new classes in 2014 — we'll keep you posted on her schedule.
New Avenue for Publicizing Logo Theft
Posted by Rebecca Blake on November 27, 2013
A newly-minted website is already having an impact. Logo Thief was conceived to display egregious examples of logo design infringement, and began publicizing examples in late November. Unlike many blogs which complain of copyright infringement, Logo Thief documents examples of logo infringement, providing links to the original creators’ websites and portfolios, as well as the posts by the infringing designers. The links are given in a list at the end of each article, forming a rough timeline of when the logo was original posted to the creator’s portfolio and when it appeared on the infringing website or materials. The LogoThief blog even shows overlaid examples of the original and infringing work — compelling evidence of outright copying.
In one case, a logo infringement showcased by Logo Thief came to a satisfying conclusion independently from the website. As reported in Steven Heller’s column, The Daily Heller, designer Felix Stockwell noticed that the new logo for one of his favorite eateries, Marie’s Cafe and Deli, was a direct ripoff of a logo created by Louise Fili, the renowned designer of many restaurant identities. Stockwell notified the restaurant’s owner, who was shocked and immediately removed the logo from their materials. As it turned out, the owner had purchased the logo for $25 from an offshore logo shop. Logo Thief reported on the positive development.
Other cases appearing on the LogoThief website have yet to be resolved in such a satisfying manner. In one case, a designer’s creation was copied from his LogoPond portfolio. Upon contacting the apparel company which reproduced a lightly altered version of his logo on their clothing, the company demanded proof of copyright ownership from the creator. Since then, the company modified the logo slightly, but the original structure is still clearly visible.Previous Page Next Page
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