Name that Typeface from 1932: Advanced Font Search
Posted by Rebecca Blake on April 07, 2014
Designing a poster for a production of “Ragtime” and want to achieve typographic authenticity? Visit the Advanced Search feature on Fonts in Use. The search parameter will permit you to search for fonts by publish date, or covering dates before or after a particular year. Additional search fields will let you select by foundry, designer or agency, published format (including tablet/iPad), location, etc. The results are displayed in thumbnails with the typefaces used listed underneath. Clicking onto the font name will take you to a page listing the designer and foundry, with links to their websites, and a list of related faces.
The samples displayed are pulled from examples submitted to contributors to Fonts in Use, and are limited to that database. Searching by multiple fields can yield little to no results. However, Fonts in Use is soliciting contributions to their collection. To do so, you must create an account. Once that’s done, you can upload samples from your computer, or add images directly from the Web or Flckr. Submissions are reviewed by staff, who can also identify the submitted fonts. (Custom lettering is not accepted.)
While the material on the site is published under the doctrine of fair use, the website encourages contributors to include the source, designer, and photographer, if possible. The site also asks that they be notified if any work is identified as infringing on copyright. A full description of how to contribute to the collection is included in their FAQs page. Fonts in Use is a public archive of typography founded by Sam Berlow, Stephen Coles, and Nick Sherman. It exists independently of any type foundry or corporation. In addition to the collection, the site includes a blog with articles written by contributors such as Roger Black and Indra Kupferschmid.
Name It and Claim It: New Top Level Domains Released by ICANN
Posted by Rebecca Blake on April 02, 2014
As reported by Petapixel in February, ICANN, the Internet Corporation for Assigned Names and Numbers, has released a new batch of top level domains. The new domains include .photography, .gallery, and .graphics, permitting creatives to end their URL with something more memorable than the ubiquitous .com (or much less sexy .net). As Petapixel points out, many of the new domains are geared to photography; the list includes .equipment, .camera, and .lighting.
Unfortunately .illustration has not been released, but .consulting, .marketing, .picture, .solutions, and .vision are available. (For those having a run of bad client relations, .gripe is also available.) The full list of top level domains is posted on the ICANN website.
Getty Image Embed: A Murky Future
Posted by Rebecca Blake on March 11, 2014
Stock image giant Getty Images announced this month that the company was making 35 million images free for non-commercial use via their image embed technology. The selected images are indentified on the stock site with a “</>” icon. Clicking on the symbol yields a snippet of code which can be copied into the source code of a website or blog, causing the unwatermarked image to appear on the page. As reported in the British Journal of Photography, Craig Peters, senior vice president of business development, content and marketing at Getty, states that the step was taken in recognition of the widespread infringement of their licensed images: “What we’re finding is that the vast majority of infringement in this space happens with self-publishers who typically don’t know anything about copyright and licensing, and simply don’t have any budget to support their content needs.”
The embedded images include Getty’s logo, the photographer’s credit, and social media sharing links which appear underneath the image area. The image links back to the image page on Getty’s site, with information on licensing a higher resolution copy of the image. The technology used to embed the image, deploying iframes, prevents users from changing the image size, and also restricts the images from being fully responsive. (When image embed was first announced, users realized they could in fact crop out the credit line and Getty logo, but Getty quickly altered the code to prevent this.) According to Peters, by making a large library of images available for legal sharing, Getty hopes to benefit their “content creators.”
Additionally, Getty contributors – photographers and illustrators who participate on the site – do not have the option to opt out of the image embed program. (Getty is withholding their premium Reportage and Contour from the program.) Wired speculates that with careful planning, the embed program could yield better compensation to Getty’s photographers or illustrators – or could fail miserably. Either way, it’s easy to envision that one repercussion of the program will be the continued devaluation of visual works as “content” which should be free.
New Guild Member Benefit: Tutorials by Joseph Caserto
Posted by Rebecca Blake on March 06, 2014
Guild member Joseph Caserto teaches a variety of courses relevant to illustrators and designers through the online portal, Udemy. He’s offering his full range of classes to Guild members at a generous discount. The coursework covers topics for creatives at all skill levels, from Adobe Digital Publishing Suite for Beginners, through InDesign TurboChargers and Create Your Own iPad and Android Publications. Guild members may access the discount code by logging into the Guild website (login area on the upper right), and visiting the Professional Discounts: Workshops & Classes page. Please note that the discount is only extended to Joseph Caserto’s classes on the Udemy website.
Using Fonts: A Typographic Treasury
Posted by Rebecca Blake on February 24, 2014
FontShop is one of many top notch resources for anyone purchasing typefaces, offering thousands of fonts from a variety of foundries as well as its house brand, FontFont. Many of the new releases are featured on FontShop’s blog. But anyone who assumes the blog is just another advertising medium should take a closer look. Selecting FontShop blog articles tagged with “Using Fonts” pulls up a stellar series of informative articles on typography, authored by letterer David Sudweeks. The article series has garnered praise from the likes of Erik Spiekermann.
Sudweeks had intended the series to cover the fundamentals of typography, and many of the articles handle basics, such as “Using Baseline Grids” and “Basic Kerning.” Sudweeks doesn’t refrain from digging deeply into the most mundane subject matter, and the result is a goldmine of information. For example, an article on using Search and Replace delves into GREP, that mysterious search option within the InDesign Find/Change dialogue box. (As it turns out, GREP – from a Unix term – permits one to search for a string of characters. Who knew?) Similarly, an article on “A Sense for Type Scale” was continued into a second article, which lead naturally into a two-part article on “Understanding Visual Hierarchy.”
Some articles cover more fun topics, such as “Wedding Invitation Typography,” or “Making your First Font.” Sudweeks also doesn’t limit himself to typography for print. Several articles deal with responsive typography, CSS, and @font-face. For those who think excellent typography crosses all media, a particularly wonderful article covers “Understanding Cascading Styles in Print and Web.”
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