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Business Practices

oozled: Web Designers, Delete Your Bookmarks

Posted by Rebecca Blake on June 09, 2014

oozled logoLaunched just this month, oozled is a web developer’s dream: a web app which provides a steady stream of curated resources from accessibility through wireframing. Many of the resource categories are related directly to coding and production, such as mockup tools, HTML 5, responsive web design tools, and prototyping. Several other categories list resources to help web designers run their businesses (accountancy, legal), build their skills (online tuition, books, podcasts), add to their webtools (payment solutions, email marketing), and replenish their creativity (inspiration, colour – the app developers are from the UK). There’s even an alluring “Just Handy” feed, with eclectic resources such as goofy ipsums, Screen Sizes (an updated list of cross-device screen sizes), and JustDelete.Me (a how-to on deleting your account from web services).

oozled got its start when web/interface designer Dan Edwards compiled a list of his personal resources as a guide for local college students. He published the list on the blogging platform Medium, and invited readers were to contribute recommendations. Within a few months, over 200 resources had been added. Edwards teamed up with developer Ryan Taylor, and in May 2014, the beta version of oozled was launched.

Anyone can access the full list of resources, and a “The Latest 50” category directs visitors to the most recent additions. However, subscribing to oozled is free, and enables the user to subscribe to specific resource feeds, as well as submit their own favorite resources. oozled is currently in beta, but Edwards and Taylor have plans for the app, and promise that subscribers will have first access to any new features.

Below: a small selection of the resource categories. Used with permission.


oozled screenshot

Paperwork: The Project Journey

Posted by Rebecca Blake on May 15, 2014

Illustrator's Union logoThe UK-based Illustrators’ Union has created a campaign to help illustrators stay on track in managing their paperwork. Called “The PaperWork Campaign,” the project tranlsates effective project management into simple steps, illustrated as a journey. The campaign breaks a project into four parts: First Contact, Agree to Proceed, Do the Work, and Project Wrap-Up. For each stage except “Do the Work” (which is self-explanatory), key questions and tasks are identified. The campaign covers often overlooked steps, such as setting copyrights and usage rights at the outset, or updating financial records and setting aside a percentage to cover taxes when the project concludes.

The PaperWork Campaign flags key steps with large, hard-to-ignore graphics. Even better, they back each step with a "Why Do This?" justification, followed by more detailed, relevant advice from seasoned professionals. The Campaign articles are liberally peppered with links to more in-depth articles on the zero2illo website, on topics such as “Marketing 101 for Illustrators” and “Managing Your Projects 101.” It’s a valuable resource for anyone structuring their project management workflow, or looking to revisit the systems they have in place.

Image © Illustrator’s Union. Used with permission.

The PaperWork Journey, © Illustrator's Union

Art Licensing: Free Teleclass and Member Discount on Webinars

Posted by Rebecca Blake on April 30, 2014

J'net Smith headshotJ'net Smith of All Art Licensing has announced her Summer/Fall schedule of licensing webinars and teleclasses, and is offering a mix of free and discounted events. Her “Ask J'net” free teleclasses are open to anyone, and are a live phone event in which participants can submit their questions on any aspect of art licensing. Upcoming “Ask J’net” teleclasses are scheduled for May 14 and July 16. Smith has also extended to Guild members a deep discount on her licensing webinars. Her next scheduled webinar is “Character Licensing,” taking place on May 21 from noon to 2 p.m. PDT. The discount code for this webinar can be accessed by logging into Member Central on the top right of our website, and visiting the Professional Discounts page.

The summer schedule of All Art Licensing events is:

Ask J’net Q&A free teleclass
Wednesday, May 14th, 12 noon – 1 p.m. PDT

Character Licensing
Wednesday, May 21st, 12 noon – 2 p.m. PDT

Sales & Trade Show Follow Through Techniques that Close the Deal
Wednesday, June 25th, 12 noon – 2  p.m. PDT

Ask J’net Q&A free teleclass
Wednesday, July 16th, 12 noon – 1 p.m. PDT

Designing Product Lines that Manufacturers Want
Wednesday, July 30th, 12 noon – 2 p.m.PDT

Getting the Million Dollar Deal
Wednesday, August 13th, 12 noon – 2 p.m. PDT
 

Stickman’s Tips to Displaying at a Convention

Posted by Rebecca Blake on April 11, 2014

© Mark Monlux StickmanIn 2011, Seattle member Mark Monlux published “Stickman’s Advice to Having a Table at a Comic Book Convention.”  The primer’s advice is borne of Monlux’s many years of experience as an illustrator, cartoonist, convention attendee. The strip  covers the process of renting a table, from the initial reservation through handling booth visitors. He offers commonsensical advice, such as bring lots of business cards, prepare your pitch, and bring water (useful after exercising that well-prepared pitch).  Other advice is less obvious, such as how to scan the crowd and the advisability of having of a mobile phone credit card processor. 

The strip was drawn during the 2011 24 Hour Comic Challenge sponsored by CLAW, the Cartoonists League of Absurd Washingtonians. During the event, artists were challenged to write, sketch, and ink 24 pages in twenty-four hours. In a previous year, Monlux had struggled to finish the assignment using his finished, more labor intensive style of cartooning. For the 2011, he decided to do an instructional strip – creating the strip ate up the first seven hours of the challenge. So Monlux repurposed his long-running comic strip character Stickman for a much faster illustration style. With the trade show and comic/illustration convention season heating up, the strip functions as a charming and succinct visual checklist for anyone planning on renting a table.

Artwork © Mark Monlux. Used with permission of the artist.

Copyright Office Announces New Fee Schedule for Online Registration

Posted by Rebecca Blake on March 26, 2014

Copyright Office logoThe Copyright Office has announced a new fee schedule for the online registration of works. Starting May 1st, standard online registrations will be raised from $35 to $55. However, the office is introducing a new streamlined option for single works by single authors, which have not been made for hire. (For a definition of Work for Hire, check our Contract Glossary.) The Single application process will only cost $35.

Upon registering their work, registrants will be asked a series of three questions which will determine whether they should use the Standard or the Single application process. Note that websites may not be registered with the streamlined option. Other categories of work which are excluded are: collective works, unpublished collections, units of publication, group registration options, databases, works by more than one author, and works with more than one owner.

Here’s the full text of the Copyright Office notice:

Copyright Office Announces New Fee Schedule; First Since 2009

The U.S. Copyright Office is announcing a new fee schedule covering registration, recordation, and related services; special services; Licensing Division services; and Freedom of Information Act (FOIA) services. These fees will take effect on May 1, 2014. The final rule establishing the new fee schedule was published in the Federal Register today and is available at www.copyright.gov/fedreg/2014/79fr15910.pdf.

This new fee schedule is the product of a multiyear process of studying current Copyright Office fees, evaluating the Office’s budget requirements, and considering public comments. While a number of fees, including the fee for standard registrations, have increased to permit the Office to more fully recoup its expenses, some fees have decreased and others remain the same. The Office has also instituted a separate, lower fee for single-author, single-work registration claims. For more information, go to http://www.copyright.gov/docs/newfees.

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