Name that Typeface from 1932: Advanced Font Search
Posted by Rebecca Blake on April 07, 2014
Designing a poster for a production of “Ragtime” and want to achieve typographic authenticity? Visit the Advanced Search feature on Fonts in Use. The search parameter will permit you to search for fonts by publish date, or covering dates before or after a particular year. Additional search fields will let you select by foundry, designer or agency, published format (including tablet/iPad), location, etc. The results are displayed in thumbnails with the typefaces used listed underneath. Clicking onto the font name will take you to a page listing the designer and foundry, with links to their websites, and a list of related faces.
The samples displayed are pulled from examples submitted to contributors to Fonts in Use, and are limited to that database. Searching by multiple fields can yield little to no results. However, Fonts in Use is soliciting contributions to their collection. To do so, you must create an account. Once that’s done, you can upload samples from your computer, or add images directly from the Web or Flckr. Submissions are reviewed by staff, who can also identify the submitted fonts. (Custom lettering is not accepted.)
While the material on the site is published under the doctrine of fair use, the website encourages contributors to include the source, designer, and photographer, if possible. The site also asks that they be notified if any work is identified as infringing on copyright. A full description of how to contribute to the collection is included in their FAQs page. Fonts in Use is a public archive of typography founded by Sam Berlow, Stephen Coles, and Nick Sherman. It exists independently of any type foundry or corporation. In addition to the collection, the site includes a blog with articles written by contributors such as Roger Black and Indra Kupferschmid.
Name It and Claim It: New Top Level Domains Released by ICANN
Posted by Rebecca Blake on April 02, 2014
As reported by Petapixel in February, ICANN, the Internet Corporation for Assigned Names and Numbers, has released a new batch of top level domains. The new domains include .photography, .gallery, and .graphics, permitting creatives to end their URL with something more memorable than the ubiquitous .com (or much less sexy .net). As Petapixel points out, many of the new domains are geared to photography; the list includes .equipment, .camera, and .lighting.
Unfortunately .illustration has not been released, but .consulting, .marketing, .picture, .solutions, and .vision are available. (For those having a run of bad client relations, .gripe is also available.) The full list of top level domains is posted on the ICANN website.
Copyright Office Announces New Fee Schedule for Online Registration
Posted by Rebecca Blake on March 26, 2014
The Copyright Office has announced a new fee schedule for the online registration of works. Starting May 1st, standard online registrations will be raised from $35 to $55. However, the office is introducing a new streamlined option for single works by single authors, which have not been made for hire. (For a definition of Work for Hire, check our Contract Glossary.) The Single application process will only cost $35.
Upon registering their work, registrants will be asked a series of three questions which will determine whether they should use the Standard or the Single application process. Note that websites may not be registered with the streamlined option. Other categories of work which are excluded are: collective works, unpublished collections, units of publication, group registration options, databases, works by more than one author, and works with more than one owner.
Here’s the full text of the Copyright Office notice:
Copyright Office Announces New Fee Schedule; First Since 2009
The U.S. Copyright Office is announcing a new fee schedule covering registration, recordation, and related services; special services; Licensing Division services; and Freedom of Information Act (FOIA) services. These fees will take effect on May 1, 2014. The final rule establishing the new fee schedule was published in the Federal Register today and is available at www.copyright.gov/fedreg/2014/79fr15910.pdf.
This new fee schedule is the product of a multiyear process of studying current Copyright Office fees, evaluating the Office’s budget requirements, and considering public comments. While a number of fees, including the fee for standard registrations, have increased to permit the Office to more fully recoup its expenses, some fees have decreased and others remain the same. The Office has also instituted a separate, lower fee for single-author, single-work registration claims. For more information, go to http://www.copyright.gov/docs/newfees.
The Unvarnished Truth: Susie Cagle on a Freelance Career
Posted by Rebecca Blake on March 25, 2014
At first glance, writer and cartoonist Susie Cagle looks as if she’s swimming in success. A graduate with a Master’s in journalism from Columbia University, her recent work includes such prestigious clients as Wired, the Atlantic, the Guardian, and McSweeneys. She’s appeared in radio and TV spots, and her work has been featured on NPR and in the Los Angeles Times, Print Magazine, and the Washington Post. People with “regular” staff jobs often tell her they envy her lifestyle. Yet, as Cagle describes it, “they then break eye contact when I tell them how much I am paid.”
In “Eight Years of Solitude: On freelance labor, journalism, and survival,” Cagle gives an unsentimental look at her career as an independent journalist and cartoonist. Her career has followed a trajectory similar to that of many capable and well-educated journalists: a Master’s degree, unsuccessful applications to entry level positions and unpaid internships, blogging assignments for $10 an hour, and a brief stint as a staff writer for a real estate blog before being laid off.
To distinguish herself from a glut other out-of-work journalists, Cagle taught herself to cartoon. The additional skill gave a boost to her bank account – a small illustration could earn as much as a 2,000 word story on a major news site. While her unusual skill set attracted notice (and requests for free work in exchange for “exposure”), she discovered that her talent in illustration devalued her legitimacy as a journalist. She also discovered the huge disconnect between publicity and income, earning less than $20,000 in the year in which she had the most exposure on TV, radio, and in print. (Check out Tim Kreider’s beautiful summation of the value of “exposure” to a working illustrator.)
Cagle now finds herself on a treadmill of underpaid work: “I’m terrified that if I don’t publish an article one week, I might be forgotten altogether, losing out on the hypothetical opportunities I’ve been working toward for the better part of these last eight years.” It’s a bleak assessment of the freelance world, but one that rings true.
Top right: self portrait © Susie Cagle. Used with permission of the artist.
Brought to our attention by @ColleenDoran
Happy 25th Birthday, World Wide Web!
Posted by Rebecca Blake on March 17, 2014
March 12th was the 25th birthday of the World Wide Web, and the anniversary is being marked with events and well wishes from world leaders, innovators, philanthropists, and ordinary folk. To mark the occasion, the World Wide Web Consortium and the World Wide Web Foundation have created Webat25.org. Visitors can view message from Web inventor Tim Berners-Lee, leave a happy birthday message, read little-known facts and a brief history of the Web, and bookmark a calendar of events.
The Web was first proposed by Berners-Lee in March of 1989, as an “information management system” while working as a consultant at CERN, the European Organization for Nuclear Research. The proposal intended to address the loss of information which occurred as the complex systems were developed at CERN. His vision was radical, a linked information system that would provide a “web” of notes, rather than a traditional fixed, hierarchical structure was quite radical at the time. His proposal wasn’t accepted but with the encouragement of his supervisor, Berners-Lee continued to work on his concept, coining the term “World Wide Web” for the project. (Earlier monikers included “Information Mesh” and “Mine of Information.”) By 1990, with the collaboration of other key innovators, he developed the first iteration of the Web, complete with HTML, URLs, and a browser.
Celebrations of the anniversary culminate with a symposium on the Web’s future on October 29th in Santa Clara. Berners-Lee is taking the anniversary as an opportunity to position global access to the Web as a basic human right, calling for a digital bill of rights. The World Wide Web Foundation has coordinated a Web We Want campaign to build support for “people’s online rights to a free, open and truly global web protected by law in every country.” The campaign solicits feedback from the public, offering small grants for anniversary events which will engage people in discussing and debating the Web’s future.Previous Page Next Page
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